![]() ![]() Here, she inscribed her most elegant clues for us. Its ballroom features two meticulously crafted Tiffany art-glass windows. The house teems with allusions, symbols and mysterious encryptions. Even these basic truths, of up and down, and light and dark, could be subverted. Bull’s-eye windows give an upside-down view of the world. In one room, Winchester laid the parquetry in an unusual pattern: When the light hit the floor a particular way, the dark boards appeared light, and the light boards, dark. Another has a secret door identical to one on a corner closet-it could be opened from within the room, but not from without, and the closet drawer didn’t open at all.ĭetails are designed to confuse. One room has a normal-sized door next to a small, child-sized one. A linen closet as big as an apartment sits next to a cupboard less than an inch deep. Cabinets and doors open onto walls, rooms are boxes within boxes, small rooms are built within big rooms, balconies and windows are inside rather than out, chimneys stop floors short of the ceiling, floors have skylights. A staircase, one of 40, goes nowhere and ends at a ceiling. At first glance I was deflated, for the unusual reason that from the outside, the house wasn’t entirely weird.īut the drama of this house, like the drama of Winchester’s life, was unfolding on the inside. I must have been hoping that the house would yield up its secret to me. I keenly anticipated my first visit to the Mystery House. Eventually, Winchester became the muse for my book on the history of the American gun industry and culture.Ī postcard showing the Winchester Mystery House circa 1900-05Ĭourtesy Flickr/ San Jose Public Library California Room When I heard her ghost story from a friend in graduate school, I was enthralled. Haunted by conscience over her gun blood fortune and seeking either protection or absolution, Winchester lived in almost complete solitude, in a mansion designed to be haunted. A relative said many decades later Winchester fell “under the thrall” of a medium, who told her that she would be haunted by the ghosts of Winchester rifle victims unless she built, non-stop-perhaps at ghosts’ direction, for their pleasure, or perhaps as a way to elude them. A spiritualist in the mid-1800s, when plenty of sane Americans believed they could communicate with the dead, Wincehster became terrified that her misfortunes, especially the death of her husband and one-month old daughter, were cosmic retribution from all the spirits killed by Winchester rifles. The answer: Her building is a ghost story of the American gun. ![]() In 1911, the San Jose Mercury News called Winchester’s colossus a “great question mark in a sea of apricot and olive orchards.” Over a century later, the San Francisco Chronicle was still baffled: “the Mansion is an ornately complex answer to a very simple question: Why?” She had apparently forgotten about it and built over it. It had two chairs, an early 1900s speaker that fit into an old phonograph, and a door latched by a 1910 lock. Winchester hastily sketched designs on napkins or brown paper for carpenters to build additions, towers, cupolas or rooms that made no sense and had no purpose, sometimes only to be plastered over the next day. She built her house with shifts of 16 carpenters who were paid three times the going rate and worked 24 hours a day, every day, from 1886 until Sarah’s death in 1922.Īn American Penelope, working in wood rather than yarn, Winchester wove and unwove eternally. After she moved from New Haven, Connecticut, to San Jose, Winchester dedicated a large part of her fortune to ceaseless, enigmatic building. Her father-in-law Oliver Winchester, manufacturer of the famous repeater rifle, died in 1880, and her husband, Will, also in the family gun business, died a year later. Winchester had inherited a vast fortune off of guns. In this provocative and deeply-researched work of narrative history, Haag fundamentally revises the history of arms in America, and in so doing explodes the clichés that have created and sustained our lethal gun culture. The Gunning of America: Business and the Making of American Gun Culture
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |